Surprise Wrap Dress

Have you ever finished a make and after trying it on thought, “ugh, this makes me look pregnant!”? I have a few times but now I have an excuse because I AM pregnant!

Surprise!I wrote most of this post a few weeks ago for the Singer Aus/NZ blogs when I was about 24 weeks, which was just about when my wardrobe choices had started to take a serious hit!

I lost two of my favourites, the Papercut La Sylphide (sadly now OOP) and Colette Rooibos of which I’ve made multiple versions, at around 19 weeks when baby decided to expand his residence upwards above my natural waist line.

8 dresses down, let’s keep going…

My So Over It Betty dresses and Vogue 1353s lasted a little longer due to the slightly higher waists and full skirts but ultimately I retired them around 23 weeks.

That’s 5 more gone! What’s left?

So I’m down to my Pauline Alice Cami dress, which is lasting only because it too has a high waist, gathered skirt and it was too big for me anyway, Kitschy Coo Lady Skater (yay for stretchy merino) and Papercut Clover dress which is great worn with a high belt. I only ever made one each of these dresses.

Well that’s clearly not going to cut it is it? I need some new dresses ASAP!

I’m not looking for maternity specific patterns, my sewing time is precious and everything I make get emotional investment so I don’t want to have to shelve them after baby arrives in December so I’ve been hunting out patterns that will still suit me postpartum and beyond, maybe with a few modifications.

What better place to start than the stash, let’s take a look:

So as well as making another Lady Skater and Clover dress my short list is:

Republic du Chiffon Violette Dress (cheating: I bought this one recently!) – Victory Patterns Simon Dress/Top  ⁣- Papercut Saiph Tunic

Victory Patterns Hannah DressSew House Seven Tea House Top and Dress
Milan AV-JC Zero Waste Brumer Wrap Dress

I’ve also bought two maternity specific patterns because stretchy fabric is life right now and also they look so cute and fast to make:

Deer & Doe Givre Maternity version – Megan Nielsen Erin Maternity Skirt

With so many baby things being quickly added to my sewing queue I’m unlikely to get to all of these but dream-sewing alongside real-sewing is a fun way to pass the weeks.

For my first experiment into Maternity-But-Not-Really-Sewing I’m going with a wrap dress that’s been on my to-sew list for ages. It’s vintage Vogue #1679 Diane Von Furstenberg wrap dress⁣⁣. This pattern is single sized, unfortunately one size too big for me, but with the general overall body expansion I decided to sew it as drafted and see how it turned out. Later I can grade this pattern down a smaller size or two.

It did turn out a tiny bit big for me but it’s been a while since I sewed from a vintage pattern and I really enjoyed it.

This dress is really well finished with full length interfacing on the bodice and skirt edges, full length facings, lots of stay stitching (I used fusible stay tape instead) and beautiful clear instructions.

Trying my best to match up the stripes!

Stay Tape along the top edge of skirt

Left: Can you see my centre back seam?
Right: Setting in sleeves with the Many Many Pins technique

I only made two changes from the instructions: No hand stitching for the wrap pass through, because a.) hand sewing, and b.) you won’t see it (it’s covered by the wrap ties), so I machine top stitched around this instead. And I continued the edge stitching from the bodice right down the skirt because I liked it.

 

I also won a game of bobbin roulette but almost lost entirely when I noticed I was running out of thread completely. The original spool was from a big box I was given by a family friend who had sewn curtains in a past life. This means most of the colours are multiples of beige and cream but there are a few brights in there that I’ve managed to use.

I originally took a photo of the old and new spools of thread thinking to illustrate that Gutermann had changed their colour numbers or NZ had different numbers but a quick internet search of their colour chart showed me 912 AND 247 looking very similar so it’s actually just that my local Spotlight apparently doesn’t bother to stock all the colours…I met their Gutermann rep once

Winning Bobbin Roulette 

Let’s see how it turned out:

The front wrap has great coverage, crossing right over to the opposite side seam. Great on a windy photo day!

I spent a lot of time while laying out this pattern to get good stripe matching and no twinning on the bodice. I think I did pretty well, the stripes continue up seamlessly.

The skirt has quite a curved hem so it looks a little wonky inside out but when worn it’s fine.

Inside out you can see the nice wide facings, all under-stitched, interfaced and stay taped so that they lie against the body really nicely and won’t stretch out.

I only overlocked the edge of the facing (in magenta of course!), all other seams are left unfinished. This fabric won’t fray and it makes for a nice soft interior.

The extra finishing steps were really worth it to help this dress last as long as possible and make it comfortable to wear. I really enjoyed sewing this one and I definitely see a couple more in the future. Stretchy fabrics and I are best friends right now!

 

THE DETAILS:

Pattern – Vintage Vogue #1679 Diane Von Furstenberg wrap dress (OOP), view A, size 16 1/2 (Bust 99cm)

I chopped quite a lot of length off the skirt pattern pieces. Next time grade down 2 sizes.

Fabric – Knit from The Fabric Warehouse

 

Lonely Hearts Giselle

When I first finished this dress it was a rainy autumn day in May. I put it on and wasn’t immediately sold.

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Well...I don't hate it...but... #lonelyheartsgiselle

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I had found the final instructions for finishing off the ruffle and waist tie frustratingly lacking and so I wasn’t in the best mood. I told myself to wait a little bit for some sunshine and then try again because this fabric is a little bit special.

In 2013 Arthur Toye, an NZ fabric institution with stores all over the North Island (maybe the South too? I’m not sure) announced suddenly that they were closing down.

Every.

Store.

I was devastated. I’d been buying fabric at ATs for as long as I’d been sewing. They had an amazing selection of fabric at decent prices, all the major pattern brands and notions, and they were in the middle of the city. The staff always took the time to create interesting displays and the store was always tidy. Sometimes I’d just go there in my lunch break to be inspired, pet the fabric and then head back to work. They also had regular amazing sales!

After the Wellington store closed I was heading through Palmerston North with my sister to visit our Dad and we saw that their store was still open. We popped in on our way back and both bought a length of this amazing heart printed Rayon.

If this fabric looks familiar it’s because you’ve seen it before on my blog. In 2014 some of the Wellington Sewing Bloggers teamed up to make Megan Nielsen’s Tania Culottes.

And because Fashionable Younger Sister’s name is Tania we made her join us, even though she lived 650 kilometers away in Auckland:

Mine went into my stash for a bit more “maturing”. I still have a lot of AT fabric in there but one day, and I admit that day is a long way off, I’ll pull out the last piece of Arthur Toye fabric.

That day will be a very sad day.

The StyleArc Giselle dress pattern caught my eye after I Camille shared a similar Realisation dress on her Instagram story.

I decided I needed a fluttery summer dress and the hearts rayon called out from the shelf. That’s how fabric maturation works, you just have to listen carefully 😉

This was my first StyleArc pattern and having already been pre-warned that the instructions were minimal I thought I knew what I was getting myself in for…There was no cutting layout but you guys know by now that I’m totally fine with making that up on my own!

I also had my supervisor at the ready.

The fabric estimate stated I needed 2.5m and I only and 1.7m. It was a tight squeeze but with a bit of piecing I managed to get everything out of my short length.

I don’t remember why I bought such a random length of just 1.7m (2.0 or 2.5m is my usual go to when I’m just stash bulking), I suspect it was the end of the bolt after FYS’s length was cut off.

And then I realised that I hadn’t cut enough binding pieces so all the scraps came out of the bin and I pieced even more bits together!

Despite the short instructions there are some nice details in this pattern. Binding finishes all the raw edges…mostly nicely. I recommend under-stitching before you topstitch this down.

The longest part of this make was finishing the edge of the ruffles. They are so long and it’s a little fiddly.

This was second only to gathering the skirt ruffle. It was an even looooonger pattern piece but with a little patience, I got there in the end. The nice thing about the ruffle is that after it’s sewn on there is no need to hem the skirt, suddenly the dress is finished!

The sour note at the end was the interface between bodice binding, waist seam and waist tie…it’s just not very refined and it was a let down to finish the dress off on such a fiddly and poorly thought out detail.

I ended up fudging it a little and it’s not too bad I guess…

So, after two weeks of waiting for some better weather, I am glad to say that in the end I liked my new dress more. It’s a much lighter and shorter style than I usually wear but it’s very summery and the ruffles are fun.

Winter was very much on its way however so the Lonely Hearts Giselle will be waiting until Summer 2020 for it’s next outing.

I think we’ll go to the beach together!

THE DETAILS:

Pattern – StyleArc Giselle Dress,  variation 1, size 10

No alterations

Fabric – “Vintage” Rayon, 145cm x 1.7m from Arthur Toye Palmerston North, purchased 14 November 2013, $24.95 – 50% off (closing down sale)

I’ll leave you with a fun pic from a weekend sewing session: We have a small sewing group at work and we usually meet once per month to sew in our office staff hub. I’m slowly enlarging the group by teaching anyone who is interested. My current students are Sarah and Sovaia who are both making the Papercut Pattern Ravine Dress. How gorgeous are the colours they chose? They’re both really close to finishing now!

It’s never too late to learn to sew!

Sewaholic Protea Lonsdale

I made my first Sewaholic Lonsdale dress in late 2014 in a Joel Dewberry print. I really liked it and always intended to make another version with a couple of tweaks but, distracted by other patterns, I never got around to it.

I’m a big fan of Sewaholic patterns and I’m really sad that after Tasia sold the business on it just kind of…died. I like and own a lot of indie pattern brands and Sewaholic was in the small group of brands I hold in really high regard. Her fit and instructions were always on point. She used clever and interesting construction techniques and she always listened carefully to her pattern testers and the community.

At the start of this year I finally remembered to make another Lonsdale and the fabric that called out from my stash just happened to be another Joel Dewberry print!

I only had 2.7 meters (3.9m required) but I’m never scared of a good game of pattern tetris and I usually win.

Remembering that my first version was very long I chopped 10cm of the skirt pieces. Then I thought I was being very clever and efficient cutting the back bodice pieces in a single layer in between all the bigger pattern pieces…well that was the theory…

Oops!

This is efficient, if you remember to flip the pattern pieces! Luckily I had one more scrap just big enough to re cut that piece.

I always found the bow at the back of this dress really uncomfortable. It would dig into my back when I sat down or leaned against anything. I could get in and out of the dress without having to undo the bow so I actually cut the ties and stitched them to the back tabs after a few wears.

For this second version I wanted to insert them into the top of the bodice. This meant I could cut the neck ties shorter but I still had to add a join to get them out of my fabric length. These extra seams are completely hidden in the busy print.

That’s kind of about it. Excluding the ties and using an invisible zipper I made this dress exactly following the instructions for a change.

So here are lots of pictures (and eventually a cat):

My usual spot under the Kowhai tree was too shady so please enjoy the mint textured concrete of the lower section of my house. It kind of works 😉 It will be changing colour sometime later this year.

A sunbathing Harriet eventually decided to come over and “help”.

And that’s that…oh wait, I forgot:

Pockets!

Which is the perfect opportunity to suggest a fantastic podcast all about the history of clothing and in particular this episode about pockets and why we should appreciate them even if declaring your love for them is becoming a bit clichéd.

May all your clothes have perfect pockets!

THE DETAILS:

Pattern – Sewaholic Lonsdale, variation a, size 12

Skirt shortened approx 10cms, back halteneck tie omitted (ties captured in top seam at back of bodice)

Fabric – Joel Dewberry, Cali Mod, Protea in Midnight

Other notions – Interfacing, thread, invisible zipper

Previous versions of this pattern –

Rifle Paper Co La Sylphide

Have you ever had that feeling that you are the only person in the entire sewing universe that doesn’t own a particular fabric?

I give you the Cotton + Steel Rifle Paper Co. Les Fleurs Rayon Challis, Birch Floral in Navy:

Last year it felt like EVERYONE had this fabric and the more I saw it the more I wanted it too.

So I caved.

I don’t blame anyone, this challis is so silky and drapey. And as far as I was concerned there was only one pattern in my stash that was perfect for it.

I’ll give you a hint:

Why stop at five La Sylphides when I could have six?

I cut this one out in April but it took me a little while to finish.

2018 was The Year of Distracted Sewing. I started many projects and kept getting drawn into more new projects, putting the most recent one aside for a few months at a time. I think an early winter shelved this dress until I finally found some focus in the second half of the year.

I’m not suggesting I’ve stopped getting distracted in 2019, oh no, I’m still all over the place with my sewing decisions but so far this year I have at least been finishing things! 😉

I found the perfect matching coral buttons at Pete’s Emporium.

The Papercut La Syphide was a great choice for this pretty flowing fabric and I really love the colour combo on me. In fact this is one of my favourite makes of all time and I love wearing it.

The Wellington wind loves it too!

It will work great with tights in winter too.

I took these photos in Spring just as our Kowhai tree was reaching peak flower.

I love this tree, even if it does make a huge mess. we’re so lucky to have such a large, mature tree in our backyard.

Here’s a close up of the bell-shaped flowers.

The Tui flock from everywhere to drink the nectar. They’re loud, boisterous birds with very unique calls. Some days I lose count just trying to gauge how many are in the tree.

By October all the flowers are gone and the whole tree looks a little dead, all bare branches and brown seed pods but it’s not long until it’s lush and green again with new leaves.

Here’s to new beginnings!

THE DETAILS:

Pattern –Papercut Patterns La Sylphide dress, straight size S

Skirt lengthened approx 16cms, side seams taken in 1.5cm at the waist

Next time I’ll try an XS

Fabric – Cotton + Steel Rifle Paper Co. Les Fleurs Rayon Challis, Birch Floral in Navy

Other notions – Interfacing, thread, buttons from Pete’s Emporium

Previous versions of this pattern –

Sewing for Christmas and babies, part three: 2018

I promised you cake and cake you shall have! Sewing will also follow later in this post.

My nephew Harvey has his first birthday in September 2018 and I was asked to help with food. I offered to make the cake because I had an idea and if I’m helping with something it should at least be fun for me too.

(I’m sure if I didn’t mention it you wouldn’t even notice but please ignore the lack of splash back in my kitchen. I finally chose tiles the following month but of course they had to come from far far away and didn’t arrive until late December. They’re actually being installed as you read this!)

I began the night before the party with Sally’s Baking Addiction Easy Homemade Funfetti Cake (a new recipe for me that turned out to be delicious) and some sketches…

I didn’t really have enough hands to take progress pictures but here it is crumb coated the morning of the party.

I used the Chelsea Basic Butter Cream Icing recipe for the crumb coat and the final icing.

Some blue food colouring, smarties and pink wafer biscuits later…

And here it is at the party with all the other food:

The one year old babies didn’t seem impressed but I was really happy and the adults loved it.

Ok, sewing!

For Christmas 2018 I added to my nephews Christmas decoration collection. To follow on from the cake success I decided a festive dinosaur would be appropriate.

Anything can become festive with the addition of a Santa hat.

My sister said when they opened it on Christmas day H tried to eat it which apparently is a good sign.

Nerdy Husband also liked the festive stegosaurus so our tree got one too.

I made one other decoration for 2018, inspired by this Etsy listing.

Except for the stitching on the dial I think this one is mostly glued together. It felt a bit weird to use glue for a sewing machine ornament so I kind of did my own thing…

Oh and when I said “one more”, I actually meant three…

One for me and one each for two fabulous ladies I know.

I’ve had these tiny wooden cotton reels in my “I don’t know what I’m going to do them but I have to buy them” pile for a while. They were the perfect size.

I did tack the paperclip “needles” and bamboo kebab skewer “thread spools” in place with some glue.

I formed the flywheel around a bit of cardboard and stitched the sides. A large bead helped me attach it with thread.

I didn’t think about the weight of the thread spool so the hangers ended up needing to be under them for the machines to hang level.

Pretty cute, huh?

They look good on our Christmas trees too!

THE DETAILS:

Pattern – 

Fabric –  Felt from my stash

Other notions – DMC Stranded Cotton, ribbon, miniature wooden thread spool, bamboo kebab skewer, paperclip, beads

Sewing for Christmas and babies, part two: 2018*

*This time with no Christmas because I’ve realised this needs to be a three-parter so that’s stuffed up my post titles. Stick with me, Part Three does have Christmas…and cake.

In June of 2018 J, who I work with and was a few weeks away from going on Parental Leave, approached me shyly in the photocopier room. Her sister had given her their old Baby Björn Bouncer frame but had lost the cover. She had found a pattern on Etsy and was wondering if she bought it would I be able sew one up for her for payment.

I took a look at the link she had on her phone, the “pattern” cost just over $12.00 which kind of offended me. Maybe I’m over-reacting and perhaps this isn’t how it went down, but if you’re going to trace a pattern off something existing, don’t go and sell it to people for $12.00 (I’ve bought physical copies of complex designer Vogue patterns for a fraction of that), it’s just rude.

I really like J, she’s a real sweetheart and I was secretly flattered that she approached me. I also couldn’t take her money. I was excited to make something for her future little girl and also up for the challenge. I told her if she bought and pre-washed the fabric I would happily make it as my gift to her. But I also told her not to buy the Etsy pattern, “Leave it to me”…

I went back to my computer and found a free version within 30 seconds. I downloaded it and printed it off and went to show J. I explained that I wanted to test the pattern by assembling the paper pieces first and then I would work out how much fabric she would need to buy. We talked about what fabrics would be appropriate and where to buy the cutest prints from.

The pattern is by Twee emmerkes water, you’ll find the pattern here.

So not only is this pattern free but the author even checked with Baby Björn that it was ok for her to share it on her sewing blog. Perfect.

It’s hand drawn but is well laid out, has all the notches marked and includes a test square so you can check printer scale. There is also a layout plan of how the sheets go together on the last page. It could use a few numbered notches to help you work out which piece attaches to which but it’s not that tricky to work out. I’ve paid money for much worse.

I assembled the pages that night and drew up the extra pieces as described (see the tracing paper pieces to the right in the second photo).

I read over the instructions and added the names to each piece which are only numbered. Then I “sewed through it in my head” and it looked promising.

The only thing I couldn’t find was an accurate seam allowance. The instructions say “Sew on pressure foot width” but sewing feet come in lots of different widths…I walked the seams of a few of the pattern pieces, one pairing suggested 0.5cm and another suggested 1cm and since this is all hand drawn I shrugged my shoulders and sewed with a seam allowance of 0.7cm which is a bit less than my current presser foot width.

Apart from the loose seam allowance suggestion I only found one real error in the instructions. Step C: Assembling the front states, “Place the belt between the markings on piece 3, with right sides together.” – there are no markings on piece 3, there are on piece 2 but as far as I could tell from photos this is not where the belt should be attached, as this is the back seam of the seat area. I decided that the belt should be attached to piece 3 as instructed and relocated the notch from piece 2 to the front edge of piece 3.

Picture for clarity:

While I’m at it, if your belt is different fabrics inside and out then the wrong side (or inside) of the belt should be against the right side of piece 3. I’ve got photos coming up, don’t worry, you got this! 😉

The pieces lined up more or less with J’s measurements too.

So I messaged J, “great success” and because we’d discussed making the bouncer in two fabrics I told her to buy 1.2 meters of the main fabric (112cm wide quilting cotton) and 40cm of contrast.

You guys, she bought The. Cutest. Fabric. Ever.

Numbats!

I actually died when she showed me. So cute.

The contrast fabric is grey with Japanese styled clouds which you’ll see later. Both fabrics were a little on the thin side however nothing some over-zealous interfacing with an ElnaPress couldn’t fix.

I did some tests first and went with the thickest stuff I own. I’ve had this in my stash for ages. A remnant from when I was learning to sew and just starting to use interfacing. I bought some that was way too thick. It was really great to finally have a use for it!

Next I cut out very carefully so that I didn’t decapitate any numbats.

The original pattern calls for buttons on bias tape ribbons to hold the belt. I’m a bit nervous when it comes to babies and buttons (nothing smaller than a film canister I remember being told…people don’t even know what film canisters are these days right?). So I went with some red hammer-on snaps from my stash that match the highlights in the fabric perfectly. I told J I would swap them out for something more robust if she felt the closure wasn’t strong enough.

In fairness to the author, the instructions do say, “Use big buttons (1 inch diameter) and attach them firmly to the ribbons…Do not forget to check the buttons regularly, especially after every machine wash.”

Always sign your work

Everything went together smoothly, all pieces lined up well.

Here is the belt stitched to the front edge of piece 3, I would call this the seat bottom.

All the seams are sewn and then overlocked so that I can be machine washed. It really didn’t take very long to make, maybe two hours tops. I probably spent more time interfacing than sewing.

I had fabric left over because J bought extra. I tried for a while to piece out a small dress but there wasn’t quite enough. I ended up making 3 dribble bibs, a basic triangle with a button hole at one corner to poke the other end through. I forgot to take a photo of these.

I wrapped everything up and gave it to J promising I would make adjustments to the cover if it didn’t fit the frame. It looked so good and I was really nervous. I’d shunned the paid pattern for a freebie and assumed the seam allowance, but guess what…

It fitted perfectly!

I was so relieved and it looked really cute on the frame.

The belt seems to be located correctly and below you can also see the “ribbons” I made for the other side of the hammer-on snap fastening.

Want to see something even cuter?

Aww! Hello baby E, stealing the cuteness from the numbats! ❤

THE DETAILS:

Pattern – Soft balance baby bouncer pattern

Fabric – Cottons from Spotlight (selected by J)

Other notions – Heavy interfacing, hammer-on snaps, cute baby (by J)

Sewing for Christmas and babies, part one: 2017

I saw this meme somewhere, it made me smile, you might also relate to it:

I don’t make New Years Resolutions but I am kind of over being behind with my blogging! So to get me started this, and the next post, are going to cover a lot 🙂 and then hopefully the writing keeps happening because I do miss it.

In late 2017 I was to become an Aunty and to welcome my nephew into the world I wanted to make him a soft toy.

I had in my head this photo of me and my little sister beside a huge Pink Panther toy. She’s still fairly brand new which puts me a 3 & 1/2 years old. I’m not sure if this photo was supposed to be part of a series but I like the idea.

On Etsy I discovered DIY Fluffies and accidentally bought 6 patterns including this ridiculously gorgeous Giraffe that I liked so much I decided I had to copy the fabric choice as well.

Apologies in advance that a lot of these photos were taken at night time on my old phone.

Note the beautifully illustrated instructions.

I picked up the brown and yellow spotty cottons from Spotlight and all the felt I had in my stash.

The pattern comes as a single A4 file with two pages of instructions and two of the pattern pieces, one of which you need to print twice. The instructions suggest cutting out the pattern pieces then drawing around them on to the fabric while adding your 1cm seam allowance. I added my seam allowance to the paper pieces instead before cutting out. They also say “seam allowance doesn’t have to be very precise” but on such small pieces I disagree.

I really enjoyed making this little cutie but it did come with it’s fair share of challenges.

First of all the tail was the hardest piece to turn! It’s so narrow and getting past the join between tail and tip was almost impossible…I’m not sure how I’d try it next time…maybe catching a long thread in there while assembling so that I’d have something to pull through the tail, like how a bodkin works, to get it started.

The ossicones (dictionary lesson: that’s what giraffe antlers are called, I checked. Try and use it in a sentence later today) were only slightly easier.

But if I thought the tail was hard, that was nothing compared to the tiny hoofs!

Pinning them enough to get a smooth sewing line and then trying to fit them under the machine foot was so difficult. Sewing black at nighttime didn’t help either. I used a narrow foot but I still had to unpick all the little caught sections so many times!

My favourite part of this pattern is how the legs come together. They have a gusset which means all four legs end up independent and tubular. The giraffe stands sturdily on it’s own, it’s quite clever.

The head was a breeze.

The ears get caught in the horizontal seam at the back of the head but the ossicones are stitched onto the head surface. I stitched these on pretty securely but part of me is still a little worried. Next time I’d add a second horizontal seam so they could get sewn in similar to the ears and work out a way to get them to stand upright.

Overall I’m pretty proud of this little cutie. A few tricky bits but ultimately it was worth it and fun to see it take shape so quickly.

It took A LOT of stuffing and the final giraffe is 37cm tall.

Here it is with my nephew H. I’m not sure how old he is in this pic, he still looks pretty new but he has found his smile 🙂

I actually made two of these giraffes simultaneously. So now you understand why I emphasised the the tail and feet issues, they were doubled for me!

A good friend of mine J was expecting a couple of months before my sister so it made sense to double down and make giraffes for all.

P loves his Giraffe too:

As well as a giraffe for H I also started a tradition of making and sending a Christmas decoration each year. I find the endless plastic toy adverts that bombard us leading up to Christmas so disgusting that I wanted to make something a bit more meaningful. It later years I’ll start adding educational toys or books to accompany them.

For his first ever Christmas I thought a stocking would make perfect sense.

I sketched out the pattern myself and even had a go at some hand sewn lettering.

It’s basically to layers that I decorated first. These were then sewn together with a white rectangle folded over the top. You can’t access the inside of the stocking.

I’m not sure how he’ll feel when he gets to 18 and has 18 handmade ornaments from his crazy Aunty. Hopefully he appreciates them…eventually…we’ll see 😉

THE DETAILS:

Pattern –

Fabric – 

  • Cottons from Spotlight and my stash
  • Felt from my stash

Other notions – Hobby fill, buttons, DMC Stranded Cotton, ribbon